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My art practice investigates the body as a site of memory. Through sculpture, installation, glass, works on paper, and image-making, I explore how materials hold traces of the human experience.
I am drawn to mediums that both reflect and resist the body and examine how form becomes evidence—of something lived, held, or almost forgotten.
The sculptural body becomes a conduit for exploring space, materiality, and the human condition.
It engages the physicality of both the artist and the viewer, creating a tactile dialogue between form and perception.
Through its presence, sculpture invites viewers to experience art in a tangible, immersive way.
This physical interaction enhances the emotional and intellectual impact of the work, making sculpture a profound medium for my artistic expression.
Through its presence, sculpture invites viewers to experience art in a tangible, immersive way.
This physical interaction enhances the emotional and intellectual impact of the work, making sculpture a profound medium for my artistic expression.
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The materials I work with are chosen for their ability to absorb, resist, or respond to the body. Whether it’s the weight of plaster, the tension in latex balloons, or the softness of memory foam, each material carries its own history, texture, and emotional resonance.
Through acts of casting, compression, suspension, or repetition, I use these materials to access a deeper language—one that reflects the fragmentation, distortion, and fragility of memory itself. Each gesture leaves a trace.
Each form becomes an imprint of what has passed, what lingers, and what is slowly fading.
